Eight historical novels by Rosemary Sutcliff feature the same dolphin signet ring

I think I now have correct the list correct of books by Rosemary Sutcliff that feature the signet ring with a dolphin design. Her signature also featured a dolphin. In chronological order the books are (click on the titles to find posts on this blog about each book; click here to find summaries of each one):

The Eagle of the Ninth (1954) – 129 AD
The Silver Branch (1957) – 284 AD
Frontier Wolf (1980) – 343 AD
The Lantern Bearers (1959) – 410+ AD
Sword At Sunset (1963) – 5th century
Dawn Wind (1961) – mid-late 6th century
Sword Song (1991) – early 10th century
The Shield Ring (1956) – 11th century

Judging Rosemary Sutcliff’s classic of children’s literature and historical fiction The Eagle of the Ninth on two levels

David Urbach has pointed me to a blogger’s 10/10 review of Rosemary Sutcliff’s The Eagle of the Ninth.

Rosemary Sutcliff’s most famous book ought to be looked at in two different ways, and judged on two levels. Firstly, any reader venturing into historical fiction will be instantly drawn to it as a deserving classic. Every word of praise afforded The Eagle of the Ninth is surely deserved, and every criticism should be scrutinised heavily. This book is not only a simple story; it is a revelation. It is a sudden meeting between the children’s and young adults’ fiction of the ’80s and ’90s, when children’s literature began to be taken seriously; and literature from the early twentieth century and the nineteenth century, when writers felt able to wax philosophic and lyrical, and were not so concerned with spending a hundred pages on diligently establishing a scene and building meticulously to a grand climax or a cheap twist.
Source: The Eagle of the Ninth, by Rosemary Sutcliff  | Library of Libation

The Minstrel and the Dragon Pup | Rosemary Sutcliff’s first picture book for children

Original cover of Rosemary Sutcliff's first picture book The Minstrel and the Dragon PupI recall Rosemary, perched at her usual desk, reading out loud to my enraptured young son drafts of The Minstrel and the Dragon Pup, which was her first picture book. It was illustrated by Emma Chichester-Clark. In the UK , the eminent critic Naomi Lewis often reviewed Rosemary Sutcliff’s books. She praised  The Minstrel and the Dragon Pup as ‘inspired’ and ‘distinguished’. An American critic thought it a ‘fast-paced fairy tale of loss and joyful reunion’ which was ‘beautifully illustrated’. Read More »

Rosemary Sutcliff’s Sword at Sunset is in first-person singular

Original Hardback cover Rosemary Sutcliff's Sword at Sunset Arthurian historical novel

When I started writing Sword at Sunset I made at least three false starts, but I couldn’t think what was the matter. I knew exactly what the story was that I wanted to tell, but it wouldn’t come. Then suddenly the penny dropped: it had to be first-person singular. I had never done first-person singular before, but the moment I started doing it that way it came, like a bird. But I had problems with it: first-person singular is very different from third-person writing, and I had no experience of it at all. But it was the only way it could be written.

Source: Raymond Thompson | Taliesin’s Successors: Interviews with Authors of Modern Arthurian Literature 

I kissed a girl at Clusium | From The Eagle of the Ninth by Rosemary Sutcliff

All of which set me thinking about poems and songs in Rosemary Sutcliff’s novels. Such as the snatches of a legionnaires’ song in The Eagle of the Ninth.

Oh when I joined the Eagles
(As it might be yesterday)
I kissed a girl at Clusium
Before I marched away
A long march, a long march
And twenty years in store
When I left my girl at Clusium
Beside the threshing-floor

The girls of Spain were honey-sweet,
And the golden girls of Gaul:
And the Thracian maids were soft as birds
To hold the heart in thrall.
But the girl I kissed at Clusium
Kissed and left at Clusium,
The girl I kissed at Clusium
I remember best of all