Rosemary Sutcliff spoke in 1977 to BBC Radio Times about her historical novel The Eagle of the Ninth and hero Marcus

When the BBC adapted and broadcast Rosemary Sutcliff‘s historical novel The Eagle of the Ninth in 1977, the BBC Radio Times wrote about her approach to children, writing, the Romans and her hero Marcus—’part of me was in love with him’.

Her passion for the Romans stemmed from her childhood. Her mother read aloud to her from books like Rudyard Kipling‘s Puck Of Pook’s Hill.  His three Roman tales entranced her.

I didn’t read myself till the last possible minute, about nine. I was brought up on Arthur Weigall’s Wanderings In Roman Britain and Wanderings In Anglo-Saxon Britain. He mentions this eagle dug up at Silchester and I’ve been fascinated by it since I was five.

The Radio Times journalist wrote of Rosemary: “She writes, superbly, of adventure, battle, young warriors. Rosemary Sutcliff‘s conversation is rapid and merry and very funny”.

In the BBC TV publicity material she claimed to be completely uneducated.

I left school at fourteen. I haven’t got a very literary or intelligent kind of life. I have very ordinary friends.

In fact, she completed art school and was a successful professional miniaturist in her late twenties when she turned to writing and secured the publication of her first book. It just “happened to be” for children; and most of her books kept on being, theoretically at least, “for children”. But she definitely did not believe in a rigid division between adults’ and children’s books. “When I was a child I was reading Dickens and Beatrix Potter at the same time”. As far as writing goes she did not find it restrictive.

Very occasionally a subject is verboten. And one may have to simplify—no, not that—uncomplicate a very complex emotion. But usually I just write as I want to write.

She said that she did not know all that many children and did not automatically like them .

I like a child or a dog or an adult according to their merits. I am prone to like more dogs on a percentage basis.

The Eagle Of The Ninth, published in 1954, was one of her favourite books.

I rather wish it weren’t, because it is quite early. I think and hope I have written better since. But it is my best beloved. Part of me was Marcus, and part was in love with him.

When aged only about three she had  juvenile arthritis (Still’s Disease) which was another factor in her writing:

I think most children’s writers are writing a chunk of unlived childhood.

Source: Radio Times, September 3, 1977

Simon (1953), an English Civil War novel of historical fiction and children‘s literature book that Noel Streatfield recommends “with all my heart” .

Simon, (1953) by Rosemary Sutcliff, is one of her early books of historical fiction & children’s literature. It deals with aspects of the English Civil War(s) (1642-51), what some (e.g. historian Christopher Hill) call the English Revolution. In her Author’s Note she wrote:

“Most history books deal with the final campaign of the Civil War in a single paragraph, and the Battle of Torrington they seldom mention at all. In this story I have tried to show what the final campaign in the west was like, and re-fight the battles fought over my own countryside.

Most of the people I’ve written about really lived; Torrington church really did blow up, with 200 royalist prisoners and their Parliamentary guard inside, and no one has ever known how it happened, though the chaplain Joshua Sprigg left it on record that the deed was done by “one Watts, a desperate villain”.

Now there is just a cobbled mound in the church-yard where it is said that those who died in the explosion were buried in a mass grave.

“Here is an author who writes with great distinction…Simon is a book that I recommend with all my heart” . So said acclaimed writer Noel Streatfield—she of Ballet Shoes & much more besides—about Rosemary Sutcliff and the book

Rosemary Sutcliff in List of Top Twenty Living British Authors | The Times newspaper November 12th 1981

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Forty-one years ago the Book Marketing Council published a list of who they judged to be the 20 greatest living British authors. None is still alive. The Times – then (and now?) a paper of record – covered the group, but sadly mis-spelled Rosemary Sutcliff as Sutcliffe (sic) with an E.

The full list was Beryl Bainbridge (21 Nov 1932 – 2 July 2010), John Betjeman (28 Aug 1906 – 19 May 1984), Malcolm Bradbury (7 Sept 1932 – 27 Nov 2000), Anthony Burgess (25 Feb 1917 – 22 Nov 1993), Margaret Drabble, Lawrence Durrell (27 Feb 1912 – 7 Nov 1990), John Fowles, Leon Garfield (14 Jul 1921 – 2 Jun 1996), William Golding (19 Sept 1911 – 19 Jun 1993), Graham Greene (2 Oct 1904 – 3 Apr 1991), Ted Hughes (17 Aug 1930 – 28 Oct 1998), John Le Carre, Laurie Lee, Rosamund Lehmann (3 Feb 1901 – 12 March 1990), Iris Murdoch (15 Jul 1919 – 8 Feb 1999) , V.S. Naipaul (17 Aug 1932 – 11 Aug 2018 ), V.S Pritchett (16 Dec 1900 – 20 Mar 1997. Rosemary Sutcliffe (sic), Laurens Van de Post (13 Dec 1906 – 16 Dec 1996), Rebecca West (21 Dec 1892 – 15 Mar 1983).

Article from The Times newspaper on top 20 20th century living authors at circa 1980

Interesting views & titles already from collecting on Twitter and Website views about eminent writer of children’s literature and historical fiction Rosemary Sutcliff‘s best books of fiction & re-telling

Rosemary Sutcliff’s Best Books

So far almost twenty of Rosemary Sutcliff’s books of children and young adults fiction and historical fiction have been cited either here or on Twitter (#BestRosemarySutcliffBook) after my call for choices and rationales. Some people snuck in more than one choice.

Of those, some raised possible distinctions between reading and re-reading, reading as a child and as an adult, reading novels written for adults and those written for children, and those books of fiction versus her re-telling of saga and legend

A Little Dog Like You (first published 1987)
Blood Feud (1976)
Brother Dusty Feet (1952)
Dawn Wind (1961)
Frontier Wolf (1980)
Simon (1953)
Song for a Dark Queen (1978)
Sword at Sunset (1963)
The Armourer’s House (1951)
The Eagle of the Ninth (1954)
The Flowers of Adonis (1969)
The High Deeds of Finn MacCool (1967)
The Hound of Ulster (1963)
The Lantern Bearers (1959)
The Mark of the Horse Lord (1965)
The Shining Company (1990)
The Silver Branch (1957)
The Witch’s Brat (1970)
Warrior Scarlet (1957)

Which book do readers think is award-winning historical novelist and doyenne of children’s literature Rosemary Sutcliff’s best?

Please post in the comments below your choice as the ‘Best Book by Rosemary Sutcliff’, together with your reasons.

On Twitter a good while back (@rsutcliff), and on this site (www.rosemarysurcliff.net, which was then at rosemarysutcliff.com I asked “So, what is your best of the sixty or so books by eminent author Rosemary Sutcliff (#BestRosemarySutcliffBook) and why?

As first choice, there were mentions of: The Eagle of the Ninth, The Mark of the Horse Lord, The Lantern Bearers, Knight’s Fee, The Sword at Sunset, The Shield Ring, The Queen Elizabeth Story. Those who could not resist other mentions pointed also to: Simon, The Rider of the White Horse, Warrior Scarlet,  Frontier Wolf, The Shining Company, Song for a Dark Queen, and, in addition to Sword at Sunset, the later Arthurian trilogy (The Sword and the CircleThe Light Beyond the ForestThe Road to Camlann).

Helen, commented here that the question ‘which is Rosemary Sutcliff‘s Best Book’ is “a bit like the questions in the old Victorian confession books; what is your favourite flower?” However,  she does say that there is nothing “more Sutcliff than The Eagle of the Ninth … Somehow it goes beyond liking — if you have read it, it is, and it is part of you… It contains all of those features which make up the sum of parts that are a Rosemary Sutcliff novel, plus the indefinable minstrel’s magic that makes it all alive”.

These themes are: “the hero, set apart from his peers both by his injury and his past; the landscape and the seasons as living entities in themselves; the friendship; the adventure; the scenes of slow tension and thrilling escape; the flashes of both humour and horror; the sense and quest for justice and fairness; the clash of two worlds and the places where the distance narrows to nothing between them; the relationship between man and dog, and to a lesser degree, man and horse; the slow romance; the understanding of a military world; the hopeful, ‘song of new beginnings’ ending; and Devon—of course, Devon.” Andrew agrees “how excellently put! (The Eagle of the Ninth)…is perhaps her greatest work and has everything which makes her writing her writing. Definitely one of my favourites and I have spent many hours getting to know Marcus, Esca, and Cottia”.

Renne, too, loves The Eagle of the Ninth She recalls her “delight at finding a copy with dust cover at an auction during my late twenties when I needed an old friend”. She speaks of Rosemary Sutcliff particular gifts: “how good she is on the ways horses and dogs link humans to the natural world. Also, how some men find it easier to show tenderness through the medium of their animal companions”.

For Anne, Rosemary Sutcliff‘s best book is The Mark of the Horse Lord. “Sutcliff is at the height of her powers in this magnificent and moving expression of her favourite themes: the land as a potent entity in its own right; discovery of the self and one’s place in the world; love and comradeship; the struggle to maintain the light in dark times; and freely-given sacrifice for the greater good. This story lifts the hair at the back of my neck every time I read it”. Renne too has ” love for The Mark of the Horse Lord (and Warrior Scarlet) for their focus on the isolation of those (people) different from their society and the struggle to make a place of acceptance”.

Alice has “a real fondness for The Lantern Bearers. When I first read it, I was quite disturbed by how dark and unhappy Aquila’s story was, but when I re-read it a few years later, I appreciated it so much—Aquila’s character growth, his emotions and actions seemed so realistic”. She reflected that possibly what she did not like when she was younger was that “it was uncomfortable in a way that eschewed traditional happy endings”. Over at Twitter @KVJohansen finds it “impossible to choose #BestRosemarySutcliffBook” but The Lantern Bearers “lingers powerfully”.

Rosie’s choice is Knight’s Fee “… the clash of cultures and the tugs of different loyalties, plus it’s a period that fascinates me. But there are many others that run it very close!”

Arethusarose writes that “best book is a relative term”, but when she does think of “overall best Sutcliff book”, for her “it has to be Sword at Sunset. There are a lot of Arthurian novels out there, and a lot of myth-like stories, but Sword at Sunset has become ‘the way it was’ for me, right from my first reading. It’s tied into what little history is known of that era, it ties in bits of the early myth, even bits of the ‘courtly love’ stuff which I largely reject as representing the tropes of that time. It carries Sutcliff’s long look at the underdog, the disadvantaged, growth through pain, recovery through human connection that are themes of most of her books. It is satisfying on every level, and it fits into the Dolphin Ring cycle to boot”. On Twitter, @HMGoodchild called The Sword at Sunset the “most hauntingly lovely Arthurian retelling ever”; and @tweetheart4711 said it is  his #BestRosemarySutcliffBook “… (because) it’s about true heroism”.

For Andrew, The Shield Ring is the best, it is his “favourite book ever. I think that is largely because it is the first Sutcliff book I ever read and so I became attached to the characters and it was the first time I had been exposed to the deep emotional palette that is Sutcliff. @gardener_on Twitter the thinks The Shield Ring is #BestRosemarySutcliffBook, with its Vikings, Normans and Cumbria. @naomilpeb too, chooses The Shield Ring: it’s a “great story, of a not-that-well-known moment in history, and wonderfully evocative of the Lakes.”On Twitter, @kanishktharoor thinks The Shining Company, the #BestRosemarySutcliffBook, without citing his grounds; it is   @Angelaroemelt‘s “all time favourite” because of its “commitment theme”.

@louiseansdell points to The Queen Elizabeth Story as #BestRosemarySutcliffBook “for the domestic detail in particular”.

Honourable mentions: as “personal favourites” (Helen) are the two Civil War books Simon (1953) and Rider of the White Horse (?); as “very close seconds”  ( ?) are The Mark of the Horse Lord and Warrior Scarlet. Andrew’s “other favourites” are Frontier Wolf, The Eagle of the Ninth, and Shining Company “for their deep emotional paintings and exciting stories. What an author!”.  Alice supplements her choice of The Lantern Bearers: she speaks of Song For A Dark Queen as well—”I simply love (it), for the prose and the unflinching layered character portraits, and especially the portrayal of Boudicca as a nuanced, very dark, and yet very human and very female character.” She also refers to “Sutcliff’s Arthurian trilogy—those are the versions of the stories that I accept as the default, true ones. The prose is beautiful and compelling, and the knights are so varied and colourful; so much more than the bland do-it-for-honour-and-glory’ cutouts that one often sees. Gawain, especially…”. Moving well beyond just one ‘Best Rosemary Sutcliff Book’ she also writes “I should stop or I’ll go on forever, but also The Witch’s Brat, just because!”

Film The Eagle, by Kevin MacDonald, based on Rosemary Sutcliff’s best-selling novel of children’s and young adult’s fiction literature and historical fiction shown again on UK Film 4 last night

The Eagle film was much covered in earlier years on this blog. It was shown again in the UK on Film 4. Posts here. Last night I was moved to tweet about it too at www.twitter.com/rsutcliff