Rosemary Sutcliff Historical Novels and the North-East of England

One Alan Myers once compiled an ‘A to Z of the many writers of the past who had a significant connection’ with the North-East of England. It seems now to have disappeared from the web . He writes of Rosemary Sutcliff:

“One of the most distinguished children’s writers of our times, Rosemary Sutcliff wrote over thirty books , some of them now considered classics. She sets several of her best-known works in Roman and Dark Age Britain, giving her the opportunity to write about divided loyalties, a recurring theme. The Capricorn Bracelet comprises six linked short stories spanning the years AD 61 to AD 383, and Hadrian’s Wall features in the narrative.

The Eagle of the Ninth (1954) is perhaps her finest work and exemplifies the psychological dilemmas that Rosemary Sutcliff brought to her novels. It is a quest story involving a journey north to the land of the Picts to recover the lost standard of the Roman Ninth Legion. A good part of the book is set in the North East around Hadrian’s Wall (a powerful symbol) and a map is provided. The book has been televised, and its sequels are The Silver Branch (1957) and The Lantern Bearers (1959), which won the Carnegie medal. Sutcliff returned to the Romano-British frontier in The Mark of the Horse Lord (1965) and Frontier Wolf (1980).

Northern Britain in the sixth century AD is the setting of The Shining Company (1990), a retelling of The Goddodin (v. Aneirin) a tragedy of epic proportions. The story, however, is seen from the point of view of the shield-bearers, not the lords eulogised in The Goddodin, and treats themes of loyalty, courage and indeed political fantasy.”

By Singing Light blogger thinks Rosemary Sutcliff’s Sun Horse, Moon Horse prose “amazing” but …

Cover of Sun Horse, Moon Horse by Rosemary Sutcliff | UK Hardback editionCover of Rosemary Sutclff’s The Mark of the Horse Lord  | UK Hardback Edition


The Singing Light blogger has recently been reading Rosemary Sutcliff, loving the prose but not finding the book as good as The Mark of The Horse Lord.




Sun Horse, Moon Horse by Rosemary Sutcliff: Sutcliff’s prose is amazing as always–the descriptions of the land, of the seasons, of the drawings are simply gorgeous. This is a slight little book, and it shares many of the same themes as Mark of the Horse Lord, and yet it’s simply not as impressive as Mark, perhaps because we don’t have as long to get to know the characters, perhaps because Lubrin Dhu isn’t Phaedrus.

The Best of Rosemary Sutcliff | A 1987 Compilation

The Best of Rosemary Sutcliff, 1967

The Best of Rosemary Sutcliff (London: Chancellor Press, 1987) was a compilation of three books:

These are three of Rosemary Sutcliff’s most acclaimed works. Warrior Scarlet is set in Bronze Age Britain. It is the story of Drem, a boy with a withered arm, who dreams of slaying a wolf and earning his place amongst the warriors of the tribe.  The Mark Of The Horse Lord is a darker story, of revenge. Knight’s Fee tells the story of the boy dog handler Randal, who rises from this low position through a mixture of fate and his own abilities and character.

More about the plots of Rosemary Sutcliff’s books

Rosemary Sutcliff’s thank-you address to the American Children’s Literature Association in Arbor, Michigan, 19th May 1985 | For the Phoenix Award for The Mark of the Horse Lord

Rosemary Sutcliff sent an address to the Children’s Literature Association in Arbor, Michigan, 19th May 1985 when she received the Phoenix Award for The Mark of the Horse Lord. This is an excerpt.

The Mark of the Horse-Lord  is one of my best-beloved books, amongst my own, and has remained so warmly living in my mind, though I have never re-read it, that when I heard that it had won an award for a book published twenty years ago, my first thought was “How lovely!! But my second was, ‘But it can’t be anywhere near twenty years old; it’s one of my quite recent books; there must be some mistake!” And I made all speed to get it out of the bookcase and look at the publication date, to make sure. And having got it out, of course I started reading it again.

Re-reading a book of my own is for me (and I imagine for most authors) a faintly nerve-wracking process, Read More »