Robin Rowland used to write a blog about his writing life (he was a TV journalist) called The Garret Tree. Some eight years ago he posted “When I waited for Rosemary Sutcliff”.
When I was a kid, Rosemary Sutcliff was my J. K. Rowling. In the early 1960s, I couldn’t wait to get my hands on the next Sutcliff. I lived in northern British Columbia and the waiting involved finding out when the book would arrive in the public library. In Kitimat, British Columbia, a town carved out of the bush, there were no bookstores. The local variety store and the stationary store both carried popular paperbacks delivered at the same time as magazines.
For me, Rosemary Sutcliff created a world just as magic as Rowling’s. Somewhat like Hogwarts and Harry it was an alternative British universe. Many of her books followed one scattered family for a millennium or more, through the history of Britain from the ancient Celts through the Roman conquest and occupation, the collapse of the empire, the Saxon invasion and into the Middle Ages. It was both familiar (especially since my parents were British) and alien at the same time. Sutcliff’s universe was grounded in reality—she did extensive historical and archaeological research for each book.
Sutcliff’s McGuffin (to borrow the term from Alfred Hitchcock) was a ring with a carved emerald intaglio dolphin that belonged to the one of her first characters, Marcus Flavius Aquila, a Roman centurion posted to Britain. A thousand years and many books later it ends up on the finger of a young man descended from Vikings fighting the Norman conquest.
Sutcliff’s …popularity has faded over the years. Of course, in these days when publishers hesitate to promote their newest books, it will take word-of-blog in the 21st century to make sure kids and adults continue to enjoy her work. (Sometimes when I want to sit and relax I pick up a Sutcliff I first read decades ago). The story is often about a young person, usually a boy (which the market demanded when Sutcliff was writing in the 1950s and 1960s) ranging in age from about twelve to his early twenties. For Marcus Aquila in her breakthrough book (The Eagle of the Ninth), his military career is cut short by a serious wound in his first battle … The main theme of many of Sutcliff’s books is the life of the soldier. Her father was a naval officer and she grew up in a military atmosphere. Although she was physically handicapped and spent part of her life in wheel chair, she captures the uncertain life of the intelligent human being who must become a fighter whether a member of a regular armed force or a warrior band or an individual trying to survive.
Sutcliff had a unique viewpoint on the military, the insider who is also a somewhat removed observer, a combination of the kid sister (although she had no siblings), the know-it-all cousin or neighbour, and the chronicler (somewhat like Princess Irulan in Dune). Marcus Aquila Flavius thought he would be a career soldier, then finds the wound in his leg has changed his life …. a fact of life facing many soldiers today. His descendent, Aquila, deserts his army to defend his home, becomes a slave and suffers throughout his life with what would, a millenia and half later, be called post traumatic stress disorder. Her soldiers are rounded human beings, with conflicting loyalties mixed with personal and family problems, always facing uncertainty in campaigns. An academic might say that all this was reflection of the decline of the British Empire. Sutcliff had liked Kipling as a kid and it could be said that her books are the Kipling stories of that declining empire. But as our society has become more uncertain in the years since she wrote, the books are more relevant than ever.
The second theme is slavery. There is more than one failed gladiator in her books, and then there is a boy trying to find himself and his roots who is captured and enslaved as well as the defeated soldier.
And there is a spiritual element to all of Sutcliff. In her historical novels the spiritual is subtle, below the surface, not there casting spells as in today’s high fantasy. The world is Celtic, with just the barest hints of the “other world” and the gods and fates possibly weaving the wyrd behind the scenes, while the humans are guided by their own free will.
For those parents out there who want their kids to move on from Rowling, I suggest Sutcliff should be on the list.
Source: When I waited for Rosemary Sutcliff; on The Garret Tree: 25 July, 2005
One thought on “For those parents out there who want their children to move on from J K Rowling”
Quote: “The story is often about a young person, usually a boy (which the market demanded when Sutcliff was writing in the 1950s and 1960s) ranging in age from about twelve to his early twenties”.
Readers often question why Rosemary Sutcliff, a female author, chose male protagonists for her stories. It’s possible publishers of the times preferred it, as the author above suggests, but the answer appears simpler – she just found it easier and more natural to “see” from a male point of view.
Hre’s an extract from an interview she did for “British Children’s Authors: Interviews at Home” (1976)
“Interviewer: Marcus, Phaedrus, Beric, Drem, Randal, Owain – all the main characters are boys. There are often girls in the stories and they are strongly portrayed, but they act as minor characters.
Sutcliff: it always just happens like that. I think I’ve got to where I can understand boys better than girls. I did once try to write one in which a girl was the main character – that was ‘The Shield Ring’. Then of course, even in that it switched from the girl to the boy.”