On reading about a child removed from school as a danger to others | Reflecting on Rosemary Sutcliff’s living with disability

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Princeton Professor Michael Graziano writes movingly about his six-year-old son who “was removed from school as a danger to others. His crime? (Apraxia) A disability you could find in any classroom”. He set me thinking about Rosemary Sutcliff’s disability – much rarer I think, not found in any classroom – and her experience of school and life.

Two Tweets about Rosemary Sutcliff disability

Rosemary was crippled (her word) at the age of three. She had Still’s disease – a form of arthritis – which left her needing many painful operations both as a child and adult. As an adult, she could only walk in her own home by shuffling along with one walking-stick; outside she had to use a wheelchair. Indeed, I used to  drive her wheelchair on our visits and trips together, delighting as any small boy might in speed, weaving in and out of lines of people, sometimes tipping her accidentally into flower beds!

She was in and out of school in her young childhood because she was in and out of hospital. She had to live much of her time in a wicker spinal basket. In her autobiography Blue Remembered Hills she wrote that her “spinal carriage was rather like a wicker coffin”.

Spinal carriage similar to Rosemary Sutcliff's

At home her intrepid mother insisted on bringing Rosemary up herself rather than leaving it  to a nanny. Due in part to the disabilities, and the frequent long periods of treatment, she had little formal education as a young child. She did not learn to read until she was about ten; and she left school at fourteen. But when she was there, she was included and made welcome.

She used to resist anyone making too much of  her experiences of disability. She would say that her mother  – my great aunt – sought as far as possible to bring her up as a ‘normal’ child, and so Rosemary never really thought of herself as ‘crippled’ (again, her word). But she did speak occasionally about it.

The ‘Emotions in Focus”’ exhibition of art by disabled people was mounted  at The Roundhouse, London (UK) to celebrate The International Year of Disabled People in 1981. She wrote In the guide to the exhibition she wrote:

Career-wise, I’m one of the lucky ones. My job, as a writer of books, is one of the few in which physical disability presents hardly any problems. I would claim that it presents no problems at all but my kind of book needs research, and research is more difficult for a disabled person. I am less able to see for myself or dig priceless information out of deeply hidden archives. I have to rely more on other people’s help and on libraries. And even libraries can present problems – like one which shall be nameless – which is very proud of its ramp to its entrance but keeps its entire reference department upstairs, with, of course, no lift.

Still, I am one of the lucky ones – not for me the heart-breaking business of convincing employers that I am employable. I work at home and if I produce a book which the publisher considers worth publishing, it gets published.

But there are drawbacks. Writing is known, amongst writers, to be just about the loneliest way of making a living that there is – even for the able-bodied writer. It is a job done completely alone in a world inhabited only by oneself and the creatures of one’s own creation In the ‘Real’ world, one’s contact with other people tends to suffer. For the disabled writer, it suffers doubly. Because I am fairly badly disabled, I cannot go off and do things on my own. Unless I can find a friend who wants to see the play I want to see, or who is going to the gathering I want to go to, I don’t get there. This means, amongst other things, a surprising loss of privacy. I can never do anything that someone else doesn’t know about.

I am lucky in having good friends and of course my work brings me into contact with publishers, editors, librarians and the like. People intelligent enough to realise that I am simply another person who happens to have physical difficulties that they don’t. But of course, there are those, not friends but stray contacts of life who adopt the ‘does she take sugar?’ attitude. It was one of these – a blue rinsed American lady in a hotel foyer in Athens, who asked my accompanying friend if she had brought me with her on her holiday.

“No,” said my friend, “She has brought me.”
“My, my, how nice!” said the blue rinsed lady, kindly but obviously not believing a word of it.
“And is she enjoying herself?”
“You’d better ask her,” said my friend.
“Sure,” crooned the blue rinsed lady, “and can she walk at all?” .

Now, I am not, I swear it, touchy or hypersensitive but, at that point, I heard a small clear voice that did not seem to be mine at all but to be hanging in the air about a foot in front of my nose, saying:

“Yes, she can a little. As a matter of fact she can speak, if poked in the stomach, and even answer questions, if asked nicely.”

The blue rinsed lady’s mouth opened and remained open. My friend said hurriedly:

“I think it’s time we went and changed for dinner,”

and we trundled off, leaving that kind and well-meaning lady to recover herself.

In the privacy of our own room we laughed ourselves silly. After which I began to shiver with something that fell like shock, though it was probably only repressed fury. I went on shivering most of that evening and could certainly not enjoy my dinner, I felt too sick.

Rosemary would surely have been furious at the treatment of Maurice Graziano’s son. She would have been sickened by it, had she read here.

2 comments

  1. I love Rosemary’s response – know exactly what she means when she describes where your voice comes from – but Michael Graziano’s article left me incandescent! When I was born the consultant said to my mum that I would never come to anything and the best thing to do was leave me in a long-stay hospital and go home – I’m so grateful she and my dad didn’t, but that was more than 50 years ago, and the low expectations of the able-bodied world still surprise me…

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