Author Penelope Lively remembers Rosemary Sutcliff

Writing in The Independent (UK newspaper) just after Rosemary Sutcliff‘s death in July 1992, English writer Penelope Lively commented on its obituary . She recalled a visit in the early 1970s to Rosemary’s house, Swallowshaw, in Sussex 27 July .

We sat in her study, she in her wheelchair behind the desk, the rest of us uneasily perched, (my) children – as they then were – awed into total silence. A housekeeper brought tea on a trolley: cucumber sandwiches and dainty little cakes. Two chihuahuas snarled from a cushion and occasionally shot out to snap at our ankles (on subsequent visits I learned how to deal them a surreptitious kick).Read More »

Did The Eagle of the Ninth historical novelist Rosemary Sutcliff want to be a romantic novelist?

Rosemary Sutcliff‘s life and work in children’s, young adult, and adult literature, including The Eagle of the Ninth, was commented upon in 2003 by one of her editors on a website which I cannot now find (and I posted this first in April last year, 2010). She did have a “mystical communion with the past”, an “uncanny sense of place” and a rude sense of humour. But she certainly did not aspire to being a romantic novelist with books “full of sex”. Nor did she feel she had been “let down” by being “crippled by Stills disease”. And her best work was not only in the first half of her career; she had award-winning books up to the end of her life.

She wrote fine books after the 1950s and 1960s, for example the award-winning Song for a Dark Queen in the 1970s, The Shining Company in the 1980s (which won The USA’s Phoenix Award in 2010), and even her last manuscript Sword Song which was published after her death in the 1990s.Read More »

Rosemary Sutcliff writes about being an artist with disabilities

Rosemary Sutcliff wrote about disability in this piece  for the “Emotions in Focus” exhibition of erotic art by disabled people mounted to celebrate The International Year of Disabled People in 1981. Victor Lownes opened the exhibition at The Roundhouse, London (UK).

Career-wise, I’m one of the lucky ones. My job, as a writer of books, is one of the few in which physical disability presents hardly any problems. I would claim that it presents no problems at all but my kind of book needs research, and research is more difficult for a disabled person. I am less able to see for myself or dig priceless information out of deeply hidden archives. I have to rely more on other people’s help and on libraries. And even libraries can present problems – like one which shall be nameless – which is very proud of its ramp to its entrance but keeps its entire reference department upstairs, with, of course, no lift.Read More »

Children’s writer Rosemary Sutcliff said writing for adults only a small gear-change

Prompted by The Guardian who recently did an item where ” authors reveal the secrets of their craft … (in) …  interviews with some of our most celebrated writers recorded for the British Library, I am reminded , again, that Rosemary often said that she wrote for children aged 8 to 88, and that she once spoke  in an interview about the difference between writing for children and for adults:

The themes of my children’s books are mostly quite adult, and in fact the difference between writing for children and for adults is, to me at any rate, only a quite small gear change.

Rosemary Sutcliff on writing history

Since I am a writer, not an historian, I will sacrifice historical accuracy. I really very seldom have to do it, and then it is only a matter of perhaps reversing the order of two events, or something like that. But if it does come to the crunch, I will choose a good story over absolute historical accuracy.