Rosemary Sutcliff was of the minstrel kind

Rosemary Sutcliff was the subject of a fascinating article entitled ‘Of The Minstrel Kind’ in the excellent  Books for Keeps – the children’s book magazine. Margaret Meek was paying tribute to Rosemary as she reached seventy. I was reminded of it when I read The Guardian editorial in praise of Rosemary the other day.

I met Rosemary Sutcliff for the first time thirty years ago in a London hospital where she was recovering from an operation. She was already famous; The Eagle of the Ninth had seen to that. Published in 1954 it had been reprinted four times. It’s probably still the book by which she is best known: an historical novel about the Romans in Britain, the first of a group of stories including The Lantern Bearers which won for her the Carnegie Medal.

Although I was nervous at that first encounter I was much more worried about seeming impertinent. I’d agreed to write about the novels for a Bodley Head Monograph, one of a series of essays about well-known writers for children, to which Rosemary Sutcliff had already contributed a fine example about Rudyard Kipling. It wasn’t so easy in those days to be curious about a famous author, especially one who had had a long childhood illness, who went to school for the first time at nine and learned to read even later, and who finished her compulsory education ‘mercifully early’ at fourteen. Read More »

Rereading Rosemary Sutcliff | The Guardian

The Guardian newspaper continues to enthuse about Rosemary Sutcliff and her writing for children and adults.

Rereading: Rosemary Sutcliff’s The Eagle of the Ninth | Books | The Guardian.

Rosemary Sutcliff’s unique gift for character and description in The Lantern Bearers

The Lantern Bearers by Rosemary Sutcliff won the Carnegie Medal in 1959. An American reviewer has said

I discovered Rosemary Sutcliff in my early teens, and she quickly became one of my favorite authors. I can still vividly recapture the magic of reading her books. It was a real pleasure to return to The Lantern Bearers, which I first read when I was about thirteen, and find the magic still intact…

The Lantern Bearers is a wonderful book. Sutcliff possesses a unique gift for character and description, evoking a sense of place and person so intense that the reader can almost see her characters and the world in which they move. She has a matchless ability to establish historical context without a surfeit of the “let’s learn a history lesson now” exposition that mars many historical novels for young people. Her books are never less than meticulously researched, but her recreation of the past is so effortless that one has no sense of academic exercise, but rather of a world as close and immediate as everyday.

…  The Arthurian theme was one of Sutcliff’s favorites: she produced several young adult books on the subject, as well as a beautiful adult novel, Sword at Sunset, to my mind one of the best ever written in this genre. But the Sutcliff‘s Arthur is rooted as much in history as in myth–not just the tragic king of Le Morte d’Arthur or the heroic/magical figure of traditional Arthurian fantasy, but a man who might actually have existed, heir both to the memory of Rome and to the last great flowering of Celtic power in Britain.
…  her enduring popularity … is richly merited: she is, quite simply, one of the best.

Copyright © 1997 Victoria Strauss

Rosemary Sutcliff, children’s writer and historical novelist of The Minstrel Kind

Readers of Rosemary Sutcliff have to expect to be spellbound in the tradition of storytelling that’s much older than reading and writing, when before the days of written records bards and minstrels were entrusted with the memory of a tribe. Rosemary Sutcliff is in this tradition; she says of herself that she’s ‘of the minstrel kind’. Read More »

Rosemary Sutcliff’s vital spark as historical novelist

… the vital spark of Rosemary Sutcliff‘s books, from The Eagle of the Ninth onwards, is the total imaginative penetration of the historical material. The books seem to be written from the inside, so that the reader’s identification with the chief character carries him further into the felt life of the time than many other books which are made up of the skilful but detached articulation of the fruits of research. One feels that Rosemary Sutcliff is less concerned to write historical narrative than to reconstruct, in the child’s response to her creative imagination, a strong feeling for and involvement with the people of this mist-bound, huddling, winter-dark island at the periods when the invaders came, Romans, Saxons, Norsemen.

This magic has certain recognizable elements; Read More »