Rosemary Sutcliff Facebook-likers vigorously criticise Booktrust so-called ‘Best 100 children’s books of last 100 years’ | No Rosemary Sutcliff on it!

Over at the Facebook page for Rosemary Sutcliff  readers have been robust about  the error of The Booktrust’s ways in excluding Rosemary Sutcliff from their attempt to list the 100 best children’s books of the last 100 years. I asked for help in compiling a broadside.

I’m not sure this will help, but the books I enjoyed when I was 11 still engage me at 63! I’ve never felt that Rosemary Sutcliff writes for children alone. There’s probably no more poignant tale than The Lantern Bearers. Also, she has a talent for dialogue in an historical context which is unsurpassed. Most children’s authors have nothing remotely like it. (Roy Marshall)

Rosemary Sutcliff’s books last in the mind and heart. I am 63 now and they stand out as Beacons from my childhood. I have reread many in mid and later life and they are even better. I am with Roy, The Lantern Bearers is my favourite – so evocative and of our own end times too. (Rob Patterson)

Rosemary Sutcliff’s Roman books, starting with the Eagle of the Ninth (but I read all the others – The Mark of the Horse Lord was probably the one that really inspired me), were one of the influences that led me to study archaeology.

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Nuns, monks and friars in the historical fiction and children’s books of Rosemary Sutcliff

Stimulated by an article in The Guardian which recalled Rahere in The Witch’s Brat, I am trying to track down all the nuns, monks and friars in the historical novels and children’s books by Rosemary Sutcliff. Commenters at the Facebook page on Rosemary Sutcliff associated with this blog are helping … can you (if you have not already!)?

Monks, friars and nuns in Rosemary Sutcliff's books

Life will go on and is well worth the struggle | Faith from Rosemary Sutcliff

Responding to an earlier post quoting Margaret Meek on  in her eponymous monograph about historical novelist and doyen of children’s literature  Rosemary Sutcliff, reader and regular commenter Anne (much more knowledgeable than me about the details of Rosemary’s work. and commentary upon it) posted:

It seems appropriate to add this piece from another critical essay, this one by May Hill Arbuthnot and Zena Sutherland:

The theme of all (Sutcliff’s) stories, as Margaret Meek points out, is “the light and the dark. The light is what is valued, what is to be saved beyond one’s own lifetime. The dark is the threatening destruction that works against it.” In The Lantern Bearers… the blackness of despair is concentrated in the heart of Aquila, a Roman officer….

No briefing of these stories can give any conception of their scope and power, and when young people read them they live with nobility… Nevertheless, these are difficult books, not because of vocabulary problems, but because of the complexities of the plots in which many peoples are fighting for dominance.

Fortunately, Dawn Wind …, one of the finest of the books, is also the least complex. Chronologically it follows The Lantern Bearers, but it is complete in itself and will undoubtedly send some readers to the trilogy. For the fourteen-year-old hero Owain, the light of the world seems to have been extinguished. He finds himself the sole survivor of a bloody battle between the Saxons and the Britons in which his people, the Britons, were completely destroyed. In the gutted remains of the city from which he had come, the only life the boy finds is a pitiable waif of a girl, lost and half-starved. At first Owain and Regina are bound together in mutual misery, but eventually they are united in respect and affection. So when Regina is sick and dying, Owain carries her to a Saxon settlement, even though he knows what will happen to him. The Saxons care for the girl but sell Owain into slavery…. After eleven years, he is freed and sets out at once to find his people and Regina, who has never doubted he would come for her.

So life is not snuffed out by the night. A dawn wind blows and two people start all over again with those basic qualities that have always made for survival…. Rosemary Sutcliff gives children and youth historical fiction that builds courage and faith that life will go on and is well worth the struggle.

Source: May Hill Arbuthnot and Zena Sutherland, “Historical Fiction: ‘The Lantern Bearers’ and ‘Dawn Wind’,” in their “Children and Books”, pub. Scott, Foresman and Company, 1972, pp. 508-9

Rosemary Sutcliff’s Dolphin Ring and fictional Roman Aquila family

In a comment on a recent post yesterday Robert Vermaat points me to a blog post from a few years ago which explores how Rosemary Sutcliff passed a dolphin ring down many generations of  the Aquila family over several books. Thus:
“Marcus took it from him and bent to examine it. It was a heavy signet-ring; and on the flawed emerald which formed the bezel was engraved the dolphin badge of his own family … ”
As to why this was a dolphin, he’s not sure it was ever explained? Does anyone know? The books, by the way, in order of century setting, not order of writing, are:
The Eagle of the Ninth (1954) – set in the 2nd century
The Silver Branch (1957) – 3rd century
Frontier Wolf (1980) – 4th century
The Lantern Bearers (1959) – 5th century
Sword At Sunset (1963) – 5th century
Dawn Wind (1961) – 6th century
Sword Song (1991) – 10th century
The Shield Ring (1956) – 11th century

Rosemary Sutcliff’s Dolphin Ring books | The sequence

A Twitterer, who is “reading Knight’s Fee now” asks “is there a chronology of (Rosemary Sutcliff) books re the family with the dolphin ring?”. I think it goes like this – but do put me right any of you Rosemary Sutcliff experts out there … And does anyone know or recall WHY a dolphin is the image on the ring?

The Eagle of the Ninth (AD 133),
The Silver Branch (about AD 280),
Frontier Wolf (AD 343),
The Lantern Bearers (AD 450),
Sword at Sunset (immediately follows the time of The Lantern Bearers)
and Dawn Wind (AD 577).

The  sequence of stories of the descendants of Marcus Flavius Aquila, hero of The Eagle of the Ninth, continues with Sword Song (about AD 900) and The Shield Ring (about AD 1070).