Interview in 1991 with Rosemary Sutcliff by John Withrington about Sword at Sunset and Arthurian legend

I have found a new (to me) interview snippet and will be chasing the full interview. (Any of you readers and contributors got access?)

Sutcliff snippet of interview

Source: Quondam et Futurus, Vol. 1, No. 4, Winter 1991

Rosemary Sutcliff on writing the story of King Arthur

Historical and children’s fiction author Rosemary Sutcliff wrote a book for adults (as opposed to children) about King Arthur – Sword at Sunset – a best seller in the UK in 1963. She said twenty years later:

I had determined from the time that I was very young that there was a real person there, and that I would love to find and reconstruct that person. […] Most of the actual research I did for the book (Sword at Sunset), apart from knowing the Arthurian story from the romance versions, was into Dark Age life and history as far as they were known. Then I worked into this setting the Arthur who seemed to me to carry weight, to be the most likely kind of person. It was very strange because I have never written a book which was so possessive. It was extraordinary–almost frightening. […] I would take the book to bed with me at night, and work there until I dropped off to sleep about two o’clock in the morning, too tired to see any more. Then I would wake up about six o’clock, still thinking about it. It was addictive. It was almost like having the story fed through to me, at times. I do my writing usually in three drafts, and I would go from the first to the second draft, from the second to the third, and find bits of the book that I had no recollection of having written at all.

Source: From Raymond H. Thompson’s interview with Rosemary Sutcliff  in August 1986

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Rosemary Sutcliff novel Sword at Sunset helped engineer recover

The Sword at Sunset (US paperback)

Eric Eller described himself as a ‘recovering chemical engineer’. Of Sword at Sunset he wrote:

Rosemary Sutcliff‘s Sword at Sunset stands out for its raw emotion and storyline stripped down to the essentials … This novel makes other versions, no matter how much fantasy and magic are injected, pallid by comparison. Other authors have recreated a gritty, ‘realistic’ Arthur since Sutcliff introduced the idea more than forty years ago, but this first attempt at that take on the Arthurian legend still stands out as the best.

(A post from four years ago)

Rosemary Sutcliff’s unique gift for character and description in The Lantern Bearers

The Lantern Bearers by Rosemary Sutcliff won the Carnegie Medal in 1959. An American reviewer has said

I discovered Rosemary Sutcliff in my early teens, and she quickly became one of my favorite authors. I can still vividly recapture the magic of reading her books. It was a real pleasure to return to The Lantern Bearers, which I first read when I was about thirteen, and find the magic still intact…

The Lantern Bearers is a wonderful book. Sutcliff possesses a unique gift for character and description, evoking a sense of place and person so intense that the reader can almost see her characters and the world in which they move. She has a matchless ability to establish historical context without a surfeit of the “let’s learn a history lesson now” exposition that mars many historical novels for young people. Her books are never less than meticulously researched, but her recreation of the past is so effortless that one has no sense of academic exercise, but rather of a world as close and immediate as everyday.

…  The Arthurian theme was one of Sutcliff’s favorites: she produced several young adult books on the subject, as well as a beautiful adult novel, Sword at Sunset, to my mind one of the best ever written in this genre. But the Sutcliff‘s Arthur is rooted as much in history as in myth–not just the tragic king of Le Morte d’Arthur or the heroic/magical figure of traditional Arthurian fantasy, but a man who might actually have existed, heir both to the memory of Rome and to the last great flowering of Celtic power in Britain.
…  her enduring popularity … is richly merited: she is, quite simply, one of the best.

Copyright © 1997 Victoria Strauss

RSC Morte D’Arthur and Arthurian novel Sword at Sunset by Rosemary Sutcliff

The knight Bedevere, played by James Traherne in the RSC production of  Morte D’Arthur, returns Arthur’s sword Excalibur to the Lady of the Lake after his final battle. He carries Arthur onto the barge that sails to Avalon after he is mortally wounded by Mordred. The RSC note that Bedevere appears in Rosemary Sutcliff’s 1963 best-selling Arthurian novel  Sword at Sunset as Guenever’s lover, rather than Launcelot.