Chosen with a poet’s care | The names of Rosemary Sutcliff’s characters | Placidus, Allectus, Evicatos, Tradui

Cover of Margaret Meek's monograph on historical and children’s novelist Rosemary SutcliffAround 1962 Margaret Meek wrote a monograph about Rosemary Sutcliff, only a decade or so into a writing career that was to last for another 30 years.  She spoke of Rosemary choosing names “with a poet’s care”:

Rosemary Sutcliff’s magic has certain recognizable elements; the names of the characters are chosen with a poet’s care, the dogs have a central place and are characterized with the loving attention children recognize and approve. The villains, such as Placidus in The Eagle of the Ninth and Allectus in The Silver Branch are acidly etched, although there is more reliance on traditional enmity and feud than on personal evil to provide the dark side. Episodic characters, singly or in groups, have a miniaturist’s clarity of outline. Pandarus, the gladiator with his rose in the battle, Galerius the surgeon, the garrulous household slaves, soldiers at a firelit cockfight or warriors at a feast, all are equally memorable.

Others more involved in the developing action, commanding officers, wise men of the tribes, outcasts, especially Guern the Hunter, Evicatos of the Spear and Brother Ninnias, have a legendary quality. Tradui the Chieftain at the making of New Spears, Bruni, dressed in the war gear of a Jutish hero dying as the wild geese fly south, blind Flavian, killed at the hands of marauding Saxons, all carry a dignity and heroism that link this series of tales with the legends Miss Sutcliff loves to tell. Indeed, part of the difficulty in evaluating the achievement of these books comes from the thickly woven texture which is as closely wrought as in many adult novels of quality.

  • Source: Margaret Meek (1962). Rosemary Sutcliff. New York: Henry Z. Walck
  • list of most main characters in Rosemary Sutcliff’s novels. re-tellings and books

(First posted 30 March, 2010; revised,  24 March, 2014)

Rosemary Sutcliff on her schooling, painting and writing

My schooling began late, owing to a childhood illness, and ended when I was only fourteen, owing to my entire lack of interest in being educated. But I showed signs of being able to paint, and so from school I went to art school, trained hard, and eventually became a professional miniature painter.

I did not start to write until the end of the War, but now I have switched completely from one medium to the other, and it is several years since I last touched paint.

Source: Rosemary Sutcliff’s monograph on Rudyard Kipling.

Rosemary Sutcliff’s first book Wild Sunrise went unpublished

Rosemary Sutcliff’s first book, the unpublished Wild Sunrise, was about the Roman invasion of Britain told from the British viewpoint. The hero was Cradoc, a name Rosemary Sutcliff used later  in The Eagle of the Ninth and in Sun Horse, Moon Horse.

Her father (George Ernest Sutcliff, who I knew as Uncle George) had a naval hero called Admiral Sir Christopher Cradock, who went down with his flagship at the battle of Coronel in 1914.

Wild Sunrise disappeared, which “was as well”, Rosemary said in her memoir Blue Remembered Hills (1983), ‘because so much of me was in it, naked and defenceless’

  • Source: Oxford Dictionary of National Biography. Article on Rosemary Sutcliff by Gilian Avery

A mystical communion with the past … and one of the rudest senses of humour in anyone I have met! |An editor on Rosemary Sutcliff

I once found that an editor of Rosemary Sutcliff once wrote (I could not for a long time locate the source, a website on ancient history, but see Anne’s comment below):

 I knew Rosemary as a friend and, briefly, as her editor…most of her best writing was done in the 50s and 60s, beginning with The Eagle of the Ninth and ending with The Mark of the Horse Lord, which is my own favourite. What she really wanted to do, however, was to write romantic novels full of sex, but here her experience, and imagination, let her down. She was crippled by Still’s disease, contracted as a child – many of her protagonists have physical disabilities of one kind or another. She had no movement in her legs, and hands whose work (including writing and miniature painting) was done with just a forefinger and a tiny, rudimentary thumb.

She had, as did Henry Treece, a mystical communion with the past, which enabled her both to recreate tiny details, and to confound military historians with her understanding of the art of battle in any situation she cared to devise. Her sense of place was uncanny, in that she could get no nearer to a site than the seat of a car on an adjacent road. Friends often served as her eyes, and also as her researchers, but it was the conclusions she drew from the evidence, and her re-creations of them, that made her contribution to the literature about the ancient world so distinctive. Where she was simply embellishing recorded history, she was no better than anyone else.

She also had one of the rudest senses of humour in anyone I have met.”

The Witch’s Brat by Rosemary Sutcliff | One of 10 must-read children’s books | Telegraph

To mark World Book Day 2014 yesterday, Richard Davies of AbeBooks.co.uk chose ten ‘must-read’ children’s classics that can be bought secondhand for less than £1 each. One was The Witch’s Brat by Rosemary Sutcliff.

Famous for her historical fiction and retelling or myths and legends, Sutcliff transports readers to 12th century England in The Witch’s Brat, the tale of Lovel the outcast.

Lovel, the crippled hero of Rosemary Sutcliff‘s The Witch’s Brat, is driven from his village in a shower of stones after his grandmother’s death. (The) novel (is) … crammed with careful period detail and research, the painstaking catalogues of herb-lore brought grippingly to life by the characters to whom they bring such danger.

Writing for The Guardian in 2011 Imogen Russell Williams explored the enchantments of witch fiction. Of The Witch’s Brat  she wrote:

 … Lovel, the crippled hero of Rosemary Sutcliff’s The Witch’s Brat, is driven from his village in a shower of stones after his grandmother’s death.  Both novels are crammed with careful period detail and research, the painstaking catalogues of herb-lore brought grippingly to life by the characters to whom they bring such danger.

The other titles in the top ten were: Read More »