Writer Amanda Craig on historical novelist and children’s writer Rosemary Sutcliff

Interview here in The Times newspaper with your blog’s author – about Rosemary Sutcliff, the book The Eagle of the Ninth and the film The Eagle.

Rosemary Sutcliff inspired and influenced | Author Ben Kane

Hardback cover of Ben Kane's The Silver EagleBen Kane, himself now an acclaimed author of Roman novels, has posted on his own website an homage to Rosemary Sutcliff which concludes:

I wasn’t made aware of quite how deep The Eagle of the Ninth had sent roots into my mind until, at the age of 31 and more than twenty years after I’d read the book, I first set my eyes on the incredible structure that is Hadrian’s Wall. Read More »

Rosemary Sutcliff is unequaled in children’s historical fiction | Guardian books blog

The writing of Rosemary Sutcliff is loved by Imogen Russell Williams, director of Have Your Cake Theatre – a fringe theatre company. Her areas of ‘anorak expertise’ (according to the Guardian website) include ‘children’s books, classical tragedy and Golden Age crime fiction’. No wonder that for her:

… the nonpareil of children’s historical fiction remains Rosemary Sutcliff, whose books about Bronze Age Britain (Warrior ScarletSun Horse, Moon Horse) and Roman Britain, particularly The Eagle of the Ninth and The Lantern Bearers, were intensely memorable to me as a child and part of the reason I eventually chose to study classics at university. Read More »

Rosemary Sutcliff, children’s writer and historical novelist of The Minstrel Kind

Readers of Rosemary Sutcliff have to expect to be spellbound in the tradition of storytelling that’s much older than reading and writing, when before the days of written records bards and minstrels were entrusted with the memory of a tribe. Rosemary Sutcliff is in this tradition; she says of herself that she’s ‘of the minstrel kind’. Read More »

Rosemary Sutcliff’s vital spark as historical novelist

… the vital spark of Rosemary Sutcliff‘s books, from The Eagle of the Ninth onwards, is the total imaginative penetration of the historical material. The books seem to be written from the inside, so that the reader’s identification with the chief character carries him further into the felt life of the time than many other books which are made up of the skilful but detached articulation of the fruits of research. One feels that Rosemary Sutcliff is less concerned to write historical narrative than to reconstruct, in the child’s response to her creative imagination, a strong feeling for and involvement with the people of this mist-bound, huddling, winter-dark island at the periods when the invaders came, Romans, Saxons, Norsemen.

This magic has certain recognizable elements; Read More »