For award-winning, internationally-acclaimed author Rosemary Sutcliff (1920-92). By Anthony Lawton: godson, cousin & literary executor. Rosemary Sutcliff wrote historical fiction, children's literature and books, films, TV & radio, including The Eagle of the Ninth, Sword at Sunset, Song for a Dark Queen, The Mark of the Horse Lord, The Silver Branch, The Lantern Bearers, Dawn Wind, Blue Remembered Hills.
Category: Novels, Stories & Books
Rosemary Sutcliff was an internationally renowned writer of historical novels, for children, young adults and adults. She also wrote stories for children. This category compiles the posts on this blog by title.
Someone recently asked me if there were other novels by Rosemary Sutcliff set in the Bronze Age , apart from Warrior Scarlet. This set me thinking. Helped by a livejournal posting I came across a while back, and based on my own reading (some of it too long ago), I came up with this list—exceluding the re-tellings such as Beowulf. I imagine regular readers here can improve it? Anything missing?
Bronze and Iron Age The Chief’s Daughter
Shifting Sands Warrior Scarlet Sun Horse, Moon Horse
Ancient Greece The Flowers of Adonis The Truce of the Games (A Crown of Wild Olive)
Roman Britain Song for a Dark Queen Eagle’s Egg The Capricorn Bracelet The Eagle of the Ninth The Mark of the Horse Lord Outcast A Circlet of Oak Leaves The Silver Branch Frontier Wolf
The Dark Ages The Lantern Bearers Sword at Sunset
The Sword and the Circle The Light Beyond the Forest The Road to Camlann Dawn Wind The Shining Company
Vikings Sword Song Blood Feud
Norman The Shield Ring Knight’s Fee The Witch’s Brat
Elizabethan and 16th century The Armourer’s House The Queen Elizabeth Story Brother Dusty-Feet Lady In Waiting
English Civil War and 17th century The Rider of the White Horse Simon Bonnie Dundee
Julia Eccleshare, expert on children’s and young adult’s fiction and literature (and Book Doctor at The Guardian), recently wrote a piece for theguardian.com with recommendations for historical fiction for children and teenagers which is not about the world wars. Of Rosemary Sutcliff she said:
In her many novels, Rosemary Sutcliff charted the making of Britain from the simple living of the upland shepherds of the Bronze Age in Warrior Scarlet to Elizabethan England in The Queen Elizabeth Story. She concentrated particularly on Roman Britain reflecting the many attitudes and experiences around the coming together of different cultures as the Romans and the indigenous population learned to live together and to blend their two very different ways of life.
In a loose series of titles which includes The Eagle of the Ninth and Dawn Wind Rosemary Sutcliff writes of Romano-British occupation and skirmish but she also details the home life of both sides describing the cooking, weaving and celebrations of the British tribes and the more advanced home comforts of the Roman invaders such as the installation of central heating in their villas.
Rosemary Sutcliff said to the Radio Times in 1977: “I like a child or a dog or an adult according to their merits. I am prone to like more dogs on a percentage basis”! Dogs also feature in many of her books. Katherine Langrish, fantasy novelist, wondered if “perhaps Rosemary wrote about dogs as a way of owning […]
Christina Hardyment’s life of Thomas Malory was published by HarperCollins. In 2012 she reviewed a 50th anniversary re-publication of Rosemary Sutcliff’s bestseller Sword at Sunset—an Arthurian era novel—which was, in 1963 when it was first published, “firmly announced to be for adults, and given the (for their time) graphic and violent scenes of sex and slaughter, it deserved to be.”
Rosemary Sutcliff is most famed for The Eagle of the Ninth, but there was much more to her than that. In the 1950s, historically-minded children found her books a magic carpet into the past. I began with Brother Dustyfeet (1952) and The Armourer’s House (1951), and never looked back an insatiable interest in history has remained the backbone of my life.
Sword at Sunset is, unusually for Rosemary Sutcliff, is a story told in the first person. Artos becomes the High King of Britain but his fate has been written ever since he was drugged and seduced by his half-sister Ygerna. Their child Medraut becomes a boy filled with hate by his mother.
…(Sutcliff) drew as much upon the archaeology of Celtic and Saxon Britain as on the ancient legends in Malory’s Morte D’Arthur and Guest’s Mabinogion. She also admired T. H. White’s four idiosyncratic Arthurian novels (now known as The Once and Future King), and the intensity with which she inhabits the mind of her hero Artos has echoes of White’s extraordinary characterisation of Arthur. ‘I have never written a book that was so possessive,’ Sutcliff said in an interview in 1986. ‘It was almost like having the story fed through me’. Writing as a man possessed her; afterwards, ‘I had great difficulty getting back into a woman’s skin.’
Her narrative amazes in the sheer vigour of its visualisation and its sure sense of purpose. Lanterns, sunsets, fires, the aurora borealis and other manifestations of light recur: Artos is holding back the coming of the dark long enough for there to be hope that the civilised light that was Rome will survive to be adopted by its conquerors. Battles are heart-stopping, tense and unpredictable, winter weather effects are frostbite-inducing, and Artos’s travels across Britain are confidently mapped …
No-one would dream from reading Sword at Sunset and Sutcliff’s other action-packed, fast-moving tales of Roman and Celtic warriors that she remained severely crippled all her life with the juvenile arthritis she contracted as a very small child. Once one is aware of this, a recurring theme of incapacitating wounds is better understood; as is the important role she gives to the hounds and horses in which she found such consolation.
Rosemary Sutcliff imagined the story behind the magical White Horse of Uffington for her 1977 children’s book (historical fiction) Sun Horse, Moon Horse. It involved the Epidi (meaning “Horse People”), a tribe that had also appeared in her earlier 1954 novel The Eagle of the Ninth. In the author’s note to the original publication she wrote:
If any of you who have read it have also followed the adventures of Marcus and Esca in The Eagle of the Ninth, and think that Lubrin’s people are not very like the Epidi who they found when they went north to rescue the eagle of the lost legion, I can only say that when I wrote that story, I had not read (T. C. Letherbridge’s bokk) Witches. And if I had, I would have made them a slightly different people. Though, of course, they might have changed quite a lot in more than two hundred years.
Earlier she explained the origins of her story, in a book by T. C. Letherbridge and an unusually old White Horse:
ROSEMARY SUTCLIFF (1920-92) 