Since I am a writer, not an historian, I will sacrifice historical accuracy. I really very seldom have to do it, and then it is only a matter of perhaps reversing the order of two events, or something like that. But if it does come to the crunch, I will choose a good story over absolute historical accuracy.
Source: Interview with Rosemary Sutcliff by Raymond H Thompson (here, on this blog)
Tag: books
Rosemary Sutcliff in German and Germany | With Verlag Urachhaus
From Rosemary Sutcliff’s German publisher, Verlag Urachhaus, a brief biography:
Rosemary Sutcliff wurde am 14. Dezember 1920 in England geboren und starb am 23. Juli 1992.
Sie besuchte eine Kunstschule und arbeitete zunächst als Malerin, bis sie Mitte der vierziger Jahre zum Schreiben fand.
Trotz ihrer starken Behinderung durch die Still’sche Krankheit, an der sie seit ihrem zweiten Lebensjahr litt, pflegte sie von jedem ihrer Romane wenigstens drei handgeschriebene Entwürfe anzufertigen, ehe sie mit ihrer Arbeit zufrieden war.
Intensiv an Geschichte, besonders derjenigen Großbritanniens, interessiert und im Erzählen hoch begabt, hat sich Rosemary Sutcliff mit ihren Kinder- und Jugendbüchern zu historischen Themen weit über England hinaus einen Namen gemacht.
Ihre Bücher sind in vielen Sprachen erschienen und mehrfach ausgezeichnet worden. 1975 erhielt sie als geniale und kompromisslose Chronistin den Orden des British Empire für ihre herausragenden Verdienste um die Jugendliteratur.
Als die englische Originalausgabe vom Lied für eine dunkle Königin (Song for a Dark Queen) 1978 erschien, wurde sie mit dem feministischen Literaturpreis The Other Award ausgezeichnet.
Für Morgenwind (Dawn Wind) erhielt Rosemary Sutcliff den begehrten New York Herald Tribune Preis.
Im März 2000 stellte Jean-Claude Lin Rosemary Sutcliff in dem Lebensmagazin a tempo vor und im Februar 2009 schrieb Ute Hallaschka in der Rubrik weiterkommen über Ein Leseleben mit Rosemary Sutcliff.
Chronicler of Occupied Brittania | Rosemary Sutcliff’s life and work | Obituary from The Guardian newspaper
Let us not be solemn about the death of Rosemary Sutcliff CBE, who has died suddenly, aged 72, despite the progressively wasting Still’s disease that had been with her since the age of two. She was impish, almost irreverent sometimes, in her approach to life. Her favourite author was Kipling and she once told me she had a great affection for The Elephant’s Child – because his first action with his newly acquired trunk was to spank his insufferably interfering relations.
But it was Kipling’s deep communion with the Sussex countryside and its history that was her true inspiration. Settled as an adult in Arundel, Rosemary shared with him his love for his county as well as his vision of successive generations living in and leaving their mark upon the landscape.
Rosemary Sutcliff, at the peak of her form in her ‘Roman’ novels, was without doubt an historical writer of genius, and recognised internationally as such. Read More »
Interview on publication of The Flowers of Adonis (1969) | Rosemary Sutcliff in The Times
Alkibiades, the hero of Rosemary Sutcliff’s novel The Flowers of Adonis, was one of the more enigmatic figures of Greek history. When this historical novel ‘for adults’ was published in 1969 by Hodder and Stoughton (costing 35 shillings in old money), Rosemary was inteviewed by The Times newspaper (Oct 27, 1969).
I was trained at art school, but then the desire to scribble came over me. I got my interest in history from my mother who had a sort of minstrel’s, rather than historian’s knowledge. Inaccurate, but full of colourful legend. I disliked history at school ….
… They do say that to be a successful children’s writer one has to have a large lump of unlived childhood in one. I certainly think I have that.
You have to show children that good does overcome evil, but that does not necessarily mean that the old lady you helped then pays for your ballet lessons! The satisfaction should just be coming from the fact that you have done right.
… It is easier to give a book a historical setting, because children will take things happening then rather than right on their own doorsteps now.
Source: The Times, Oct 27, 1969, p6.