Most moving novel about Richard III | Rosemary Sutcliff on Some Touch of Pity

Jane Stemp commented on a previous post that she was reminded that she “once read a book by Rhoda Edwards which is about Richard III – and dedicated to Rosemary Sutcliff. The title is ‘Some Touch of Pity’. Courtesy of the internet I found a picture of a cover, and it includes a quote from Rosemary, calling the novel “the most moving novel about Richard III I have ever read”.

Some Touch of Pity

UK original publication details are: Rhoda Edwards, Some Touch of Pity.  Hutchinson , London, 1976.  In the US it was published as The Broken Sword.  A brief internet trawl produces this review from the Richard III Society of New South Wales, in Australia.  Read More »

Dogs in the historical novels of Rosemary Sutcliff

Thinking of both historical fiction and dogs put Katherine Langrish, author of fantasy novels for young adults, in mind of Rosemary Sutcliff. Katherine believes that dogs in books are a “Good Thing”. She also believes that Rosemary Sutcliff “must easily win the title of Britain’s most loved writer of junior historical fiction”.

… Rosemary Sutcliff, whose books I devoured as a child …  loved dogs, and there is a noble dog in many of her books: Whitethroat in Warrior Scarlet, Argos in Brother Dusty Feet.  But for me the most iconic is Dog in Dawn Wind,  the young war-hound that the boy Owain finds by moonlight on the ruins of the battlefield:

…it was something alive in the cold echoing emptiness of a dead world. It stood with one paw raised, looking at him, and Owain called, hoarsely, with stiff lips and aching throat: ‘Dog! Hai! Dog!’ … [It] came, slowly and uncertainly… once it stopped altogether; then it finished at the run and next instant was trembling against his legs. He was a young dog; the beautiful creamy hair of his breast-patch was stained and draggled, and his muzzle bloody in the moonlight… ‘Dog, aiee, dog, we are alone then. There’s no one else. We will go together, you and I.’

The brilliance of the writing is to show us, in the lonely and innocent terror of the dog and what he has been made to do, the full dreadfulness of war.
This is used with Katherine’s permission (thank you!). She wonders also in an email to me  if “perhaps Rosemary wrote about dogs as a way of owning them …”. Actually, Rosemary always owned dogs.
(Original post in March, 2010 First Revision 14 Feb 2012. List below added 10 March 2014))
  • Brother Dusty-Feet: Hugh runs away from home to protect Argos.
  • The Eagle of the Ninth:  Cub is Esca’s tame wolf cub.
  • The Silver Branch: Curoi’s hound is called Cullen.
  • Outcast: Canog is a mistreated mongrel owned by  Beric, whose childhood dog was Gelert.
  • The Lantern Bearers: Artos’s dog Cabal.
  • Warrior Scarlet: Whitethroat; Fand the Beautiful.
  • The Bridge-Builders: Math, a Hibernian wolfhound.
  • Knight’s Fee: Joyeuse.
  • Dawn Wind: Dog, a survivor of Owain’s Last Stand.
  • Blood Feud: Brindle is a cattle dog.
  • Bonnie Dundee: Caspa.
  • The Shining Company: Gelert.
  • Sword Song: Bjarni murders a man for kicking Astrid, and Hugin follows him home from Dublin.

The Eagle of the Ninth | Rosemary Sutcliff | Library of Libation review

David Urbach (a ‘liker’ over at Rosemary Sutcliff’s Facebook page  – do join him and click the like button there!) alerted me to a 10/10 review by someone he considers “perceptive”,  of Rosemary Sutcliff‘s classic of historical fiction and children’s literature, The Eagle of the Ninth. It makes interesting reading, and I am intrigued to learn of the reaction of others who know Rosemary’s work well.  Read More »

Works by Rosemary Sutcliff most widely held in libraries worldwide | World Cat

19 editions published between 1990 and 2009 in English and held by 1,649 libraries worldwide
In 600 A.D. in northern Britain, Prosper becomes a shield bearer with the Companions, an army made up of three hundred younger sons of minor kings and trained to act as one fighting brotherhood against the invading Saxons.  Read More »

The non-pareil of historical fiction is Rosemary Sutcliff

Imogen Russell Williams wrote last year that “for me the nonpareil of children’s historical fiction remains Rosemary Sutcliff”:

Historical fiction for adults ranges in stature from the Booker-winning to the bodice-ripping – scholarly rambles or gleeful romps through a past animated, elucidated, or (at worst) knocked together into an unconvincing stage set by the writer’s imagination. The label carries its own baggage, however; like “crime”, or “fantasy”, sticking “historical” before “fiction” might, for some snobbish and deluded readers, require an “only” to complete the description.

It’s my feeling that historical fiction for children suffers less from the snootiness sometimes attracted by grown-up writing in the genre, perhaps because the educational cachet outweighs the sense that a “made-up” book is less worthwhile than a collection of primary sources. Certainly the best historical fiction of my childhood has remained with me, Read More »